She entered the Society for the Collegiate Instruction of Women renamed Radcliffe College inwhere she studied psychology with the philosopher William James and received her degree in
However, in this essay, she explains why she has that style.
And, perhaps surprisingly, that this style is not motivated by abstruse intellectualism but by emotional response to the individual components of language. Stein begins by wondering what if we can tell the difference between poetry and prose. Of course, both prose and poetry depend entirely on words.
Per the title of this essay, she is focusing on grammar and poetry, yet she begins by discussing her theories of grammar in prose.
Sentence structure is enormously fascinating to Stein. She sees in the diagramming of a sentence endless possibility. Stein does not like words that are bound to a single meaning or function.
Nouns in particular Stein dislikes, and she attempts to purge them from her prose. She does not like punctuation that is unnecessary or that makes reading easier. She prefers complicated sentences that are difficult to parce; understanding a sentence should be a slow and concentrated process.
Structurally, she makes a specific differentiation between sentences and paragraphs: Both have a certain balance, but sentences are a structural unveiling, while paragraphs have a totality of meaning that creates an emotional response. She has been able to create a sentence so long that it became something that was neither a sentence or a paragraph.
This structure was more about a movement of time in a given space. Ultimately, this temporal movement in space is what defines prose. In these experiments with prose, Stein comes to realize the true nature of poetry.
In her attempts to avoid nouns, she conversely decided to confront them and to explore them in writing. This turned into poetry. Contrary to prose, poetry is obsessed with nouns.
Poetry is all about the love of nouns that the repetition of them over an over again: But in this endless, passionate repetition, Stein develops the desire to make the feeling of the object known without naming it. Thus, though poetry begins as an obsessive invocation of nouns, the ultimate desire of poetry is to eliminate the noun and try to give a sense of the emotional connection to the loved object.+ free ebooks online.
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“Tender Buttons” by Gertrude Stein – a fragment analysis Essay Sample. NOTHING ELEGANT”A charm a single charm is doubtful. If the red is rose and there is a gate surrounding it, if inside is let in and there places change then certainly something is upright.
The Online Writing Lab (OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. The HyperTexts English Poetry Timeline and Chronology English Literature Timeline and Chronology World Literature Timeline and Chronology This is a timeline of English poetry and literature, from the earliest Celtic, Gaelic, Druidic, Anglo-Roman, Anglo-Saxon and Anglo-Norman works, to the present day.
Gertrude Stein considered How to Write a prose book; in her later book, Lectures in America she says this about How to Write: "In spite of my intending to write about grammar and poetry I am still writing about grammar and prose [ ]" ().
Gertrude Stein uses How to Write as a vehicle to explain and demonstrate her philosophies about writing. Use a comma to separate the elements in a series (three or more things), including the last two. "He hit the ball, dropped the bat, and ran to first base." You may have learned that the comma before the "and" is unnecessary, which is fine if you're in control of things.